The Future Was Now Plot Spoilers, Synopsis, Review – Book by Chris Nashawaty

The Future Was Now Plot Spoilers, Synopsis, Review

As someone who has written innumerable reviews, I take satisfaction in discovering literary treasures. “The Future Was Now” by Chris Nashawaty piqued my interest not just because of its fascinating title, but also because it promised to take me on a nostalgic journey through cinematic history. Plus, who can resist delving into the great sci-fi summer of 1982? With a history of delving into a variety of genres, this book seemed like a logical addition to my ever-expanding library of reviewed works. This book, like watching an old beloved movie, brought back memories of the joy I had when I first encountered Peter Biskind’s “Easy Riders, Raging Bulls”. Both volumes provide a behind-the-scenes look at significant times in Hollywood history, with “The Future Was Now” focusing on a single memorable summer rather than a whole decade.

Overview

Chris Nashawaty’s “The Future Was Now” is a well researched and enthusiastically delivered account of the transformational summer of 1982, which dramatically transformed the landscape of Hollywood science fiction films. The audiobook, narrated by Jonathan Todd Ross, runs for nine hours and takes the listener through the ups and downs, triumphs and failures, creative bursts and breakdowns of that famous summer.

A Summary of the Plot

The book begins with the assumption that the summer of 1982 was a watershed moment in Hollywood, with the publication of many great sci-fi films that would go on to define the genre. The story masterfully ties together the lives of many directors, producers, and studios, giving viewers a behind-the-scenes look at how these films were created, produced, and accepted by audiences.

Among the important films mentioned are:

  1. E.T. the Extra-Terrestrial: Directed by Steven Spielberg, this film became a global sensation, reinventing the sci-fi genre with its touching story of a kid and his extraterrestrial buddy.
  2. Blade Runner: Ridley Scott’s dark, dystopian vision of the future, based on Philip K. Dick’s book, received mixed reviews but eventually became a cult classic.
  3. The Thing: John Carpenter’s horror-infused version on an extraterrestrial encounter, which was first derided but is now regarded as a classic.
  4. Tron: A pioneering film in the use of computer-generated visuals that transported spectators into a virtual world.
  5. Star Trek II: The Wrath of Khan: Nicholas Meyer’s directing reinvigorated the Star Trek brand by telling a captivating plot and developing richer characters.

Nashawaty digs into the production hurdles, creative tensions, and technical advances that characterize each of these films. He also delves into the cultural and industrial transformations that enabled these films to not only be created, but to prosper and leave an indelible mark.

Character Analysis and Theme

While the book is more of a historical history than a character-driven story, the “characters” are the filmmakers and the films themselves. Nashawaty paints detailed portraits of prominent personalities such as Steven Spielberg, Ridley Scott, John Carpenter, and others. Their aspirations, hardships, and successes are documented in great detail, bringing their tales to life.

The book’s core topic is the concept of invention in the face of adversity. Each picture encountered substantial challenges, such as money restraints, distrustful studio officials, or technological limitations. However, these challenges often prompted innovative solutions that resulted in pioneering work. The summer of 1982 therefore exemplifies the power of endurance and innovation.

Another subject is the shifting connection between technology and narrative. From the practical effects of “The Thing” to the early CGI of “Tron,” these films pushed the limits of what was possible, establishing new visual effects standards that influenced future generations of filmmakers.

An in-depth look at key films

E.T., Extra-Terrestrial

Spielberg’s “E.T.” is more than simply a science-fiction picture; it’s a heartfelt tale of friendship, sorrow, and the need for connection. The film’s plot revolves on Elliott, a young kid who encounters and befriends a stranded extraterrestrial named ET. Their friendship becomes the emotional center of the tale, emphasizing themes of empathy and understanding among many species. Spielberg’s decision to keep a child’s viewpoint throughout the film was a risk that paid off handsomely, producing a universally relevant and touching story that connected with viewers across the globe.

Spielberg’s talent of combining visual effects with excellent emotional narrative distinguishes “E.T.” The film’s classic sequences, such as the flying bicycle sequence, included revolutionary visual effects that were considered pioneering at the time. Furthermore, John Williams’ famous soundtrack contributed significantly to the film’s emotional depth, creating an unforgettable cinematic experience.

Blade Runner

Ridley Scott’s “Blade Runner,” based on Philip K. Dick’s book “Do Androids Dream of Electric Sheep?” is a dark, dystopian thriller about identity, humanity, and what it means to be alive. Set in a grim future Los Angeles, the plot follows Rick Deckard, a “blade runner” entrusted with tracking down renegade replicants—bioengineered creatures who are almost indistinguishable from humans.

The film’s initial review was mixed, with critics disagreeing on its pace and narrative intricacy. However, its visual approach, defined by gloomy, rain-soaked cityscapes and outstanding production design, has subsequently been hailed as groundbreaking. The film’s intellectual profundity, paired with its revolutionary spectacular effects, has won it a permanent position in the science fiction canon.

Scott had various obstacles throughout production, including disagreements with the studio over the film’s finale and the addition of voice-over narration. Despite these hurdles, “Blade Runner” has been re-evaluated throughout time and is today regarded as a classic, inspiring innumerable films and media with its noir style and existential themes.

The Thing

John Carpenter’s film “The Thing” is a masterclass in horror and suspense. The film follows a group of scientists in Antarctica who come upon a shape-shifting extraterrestrial that can resemble any living entity it absorbs. The consequent suspicion and mistrust among the protagonists creates an environment of extreme tension and fear.

“The Thing” was lambasted for its violent violence and dreary tone when it first came out. However, it has subsequently received respect for its practical effects, notably Rob Bottin’s monster designs, which are still among the most stunning and horrifying in horror film history. Carpenter’s ability to build tension and create a claustrophobic scene has established “The Thing” as a genre classic.

The film’s study of identity and trust, as well as its pioneering use of practical effects, impacted a subsequent generation of filmmakers. Its themes of solitude and the unknown ring true, making it a classic piece of horror film.

Tron

“Tron,” directed by Steven Lisberger, was a pioneering film in the use of computer-generated imagery (CGI). The film depicts Kevin Flynn, a computer programmer who is transferred into a digital world and must overcome many obstacles to escape. The visual design of “Tron,” with its bright neon landscapes and computerized people, was innovative at the time.

Despite its pioneering effects, “Tron” did not achieve instant economic success. The film’s intricate visual design and innovative plot were ahead of their time, and it failed to attract an audience. However, it has now become a cult classic, known for its pioneering use of technology and effect on the creation of computer-generated imagery in movies.

“Tron” revealed the promise of digital effects, paving the door for subsequent films to explore and build on this technology. Its influence on the visual effects industry is undeniable, and it remains a watershed moment in movie history.

Star Trek 2: The Wrath of Khan

Nicholas Meyer’s “Star Trek II: The Wrath of Khan” reinvigorated the Star Trek brand by telling a more character-driven and emotionally powerful narrative than its predecessor. The film reintroduced Khan Noonien Singh, a genetically created superhuman seeking vengeance against Admiral James T. Kirk.

The film’s popularity may be due to its engaging story, great acting, and conceptual depth. The relationships between the individuals, as well as the final showdown with Khan, address themes of sacrifice, camaraderie, and age. Leonard Nimoy’s depiction of Spock, especially his self-sacrifice in the film’s end, offered an emotional depth that fans and moviegoers appreciated.

“The Wrath of Khan” is widely regarded as one of the finest Star Trek films, and its influence on the series is significant. It established a new bar for character development and narrative in the Star Trek universe, influencing future films and shows.

Comparison with Other Works

As previously said, “The Future Was Now” is comparable to Peter Biskind’s “Easy Riders, Raging Bulls,” albeit Nashawaty’s emphasis is narrower and more focused on a certain time and genre. Another related book is “Rinzler’s The Making of Star Wars,” which provides a detailed look at the behind-the-scenes efforts that brought a popular sci-fi world to reality. What distinguishes Nashawaty’s book is its ability to capture the spirit of an entire summer, a time when Hollywood seemed to swing toward the future with a flood of groundbreaking pictures.

Nashawaty’s writing style is entertaining and approachable, making intricate production details and industry insights clear and appealing to a wide readership. His ability to integrate different storylines into a coherent and fascinating story is reminiscent of Mark Harris’ “Pictures at a Revolution,” which looks at the transformational year of 1967 in Hollywood. Both writers give extensive historical background while focusing on the human experiences of people engaged in these cinematic revolutions.

Conclusion

“The Future Was Now” is an engrossing book for anybody interested in the history of film, especially the science fiction genre. Chris Nashawaty’s rigorous research and compelling writing make this book a must-listen for cinema fans. It not only captures a watershed event in Hollywood history, but also honors the spirit of invention and originality that continues to propel the film industry forward.

Whether you experienced the summer of 1982 or are discovering these films for the first time, “The Future Was Now” provides a deep, thorough, and ultimately inspirational look at a watershed moment in cinematic history. It’s a sentimental trip that reminds us of the timeless power of narrative and the ever-changing nature of cinema.

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